For a couple of months now I've been trying to catch this gizmo on sale at Canadian Tire. It plugs into the cigarette lighter on a vehicle to power an iPod, and it also transmits music from an iPod using a selectable FM band. (Our faithful and stalwart '98 Subaru Outback has no aux input for its stereo. . .) Such devices are often in the $40-70 range, but this no-name brand has been available at Canadian Tire for under $20 off and on, but has always been sold out when I get to a store.
Well, I finally found one during Boxing Week sales at a CT for $14.95. It's pretty flimsy, and it sticks out so far that I cannot put the vehicle in park without removing it, but hey, it works! When I finally saw one, I turned it over and over, wondering at its cheap appearance, and a fellow came along and said, "Hey, works great, I've got three of them!"
I just realized that I badly dated myself - does anyone call them cigarette lighters anymore? I believe the politically correct term now is auxiliary power outlets.
I'm trying to send an Apple iTunes gift card to someone in the US and I'm in Canada. I tried Apple's US website, but it would not accept my Canadian province and postal code in the purchasing address. I tried Apple's Canadian website, but it would not accept the US address as the shipping address.
Perhaps I'm just missing some option, but you'd think they'd make carrying out a transaction as KISS (Keep It Simple Stupid, er, Silly) as possible. Dunno if it's Apple being silly or I'm being stupid, but after a couple of failed attempts I guess I'm off to Amazon - at least I know Amazon's gift certificates work cross border, and that I'm able to place orders with both the US and Canadian Amazon websites.
It was a great show yesterday. Isaak is a consummate performer with great original tunes and crowd-pleasing chatter.
Concert shots were hand-held at ISO 3200 with my Nikon D300, with the 18-200 VR lens.
Found my old driving cassettes in the garage today: Led Zep, Stones, Floyd, Dylan, Tom Petty, Bad Company, Iron Butterfly, Golden Earring, Eric Clapton, Police, Pat Benatar, Uriah Heep, Black Sabbath, Heart, The Band, Dire Straits, Springsteen, Beatles, ZZ Top, Def Leppard, Phil Collins, Paul Simon, Carly Simon, Huey Lewis, Eurythmics, Doobie Brothers, Eagles, Bryan Adams, etc.
What? No Guess Who? April Wine? Lighthouse? Streetheart? Jeez, there must be another CanCon box hidden in some corner somewhere....
I haven't played these tapes in 20+ years. Assuming they still run, and don't disintegrate in the player, I should have a good road trip this summer.
On the National Post's letters page today there is a photo of the Jackson Five, "circa 1960."
Michael is looking pretty big for a 2-year-old toddler, born in August 1958! :-).
http://www.nationalpost.com/opinion/story.html?id=1170147
If that doesn't work, go to National Post, Letters, and the "Motown" item.
I was a "celebrity contestant" and a talent contest judge at the 2008 Edmonds City Fair in southeast Burnaby today. It was great fun! Somehow I managed to win the celebrity contest, which involved racing in a sack, carrying an egg in a spoon, putting on a dress and hat, and sprinting to the finish line. I didn't think I'd prevailed over MP Peter Julian, MLA Raj Chouhan, Burnaby Mayor Derek Corrigan, and RCMP Superintendant Rick Taylor, but that's what the judges ruled :-).
How was I included in this cast, you may ask? One of my hats is president of the Edmonds Town Centre Business & Community Association.
I was blown away by the contestants in the music contest, most of them young female singers ranging in age from seven to seventeen or so. Most were too shy to say boo to the MC, but once the music started they soared. Amazing. (And I've got some cred to be a judge as I sang in a youth choir for ten years, and won an award or two for singing a loooong time ago :-).

My welcoming speech.

Ronald McD grilling the celebrity lineup.

The contestants at the end of the race.

Me, Bonnie in the blue T-shirt, and Archie Rose, last year's talent winner, were this year's judges.
Thanks to the committee chaired by Burnaby Parks Chair Paul McDonell for organizing the event, and to all of the business sponsors whose contributions made it free to the public!
Photos by my wife, Yumi, and the judges photo by Edmonds Scotiabank manager and event organizer Debbie Zurowski.
My aunt Roma clued me in to these beautiful renderings of Japanese songs by Nataliya Gudziy, a Ukrainian singer, bandura player, and Chernobyl survivor. My Japanese wife was impressed with Nataliya's pronunciation and beautiful voice. I'd love to see Nataliya in a duet with Angela Aki!
The Vancouver Symphony played its annual, no-charge Symphony in the Park at Burnaby's beautiful outdoor concert venue at Deer Lake Park this evening. It was warm and sunny with enough dramatic clouds to set off the perfect setting for an outdoor concert.
Even though we arrived nearly an hour before show time, the grassy slope overlooking the serene lake was already filling up. The VSO played a crowd-pleasing program, as usual. Shostakovich's Festive Overture was the short, sweet, lead-in, followed by Borodin's melodic In the Steppes of Central Asia. The first half concluded with Rachmaninoff's Rhapsody on a Theme of Paganini, ably performed by the 19-year-old Melody Quah on piano.
The second half began with a rousing, hyperdrive fast rendition of Williams's Star Wars Suite 1. Main Title. That was followed by Conway Baker's Through the Lion's Gate: 3. Mountains, a lovely piece I'd never heard before. It celebrates the north shore mountains near the concert venue, and the composer was present and received a standing ovation. In a serendipitous touch, a Great Blue Heron overflew the crowd in the midst of the performance. Only in Canada, eh?
That was followed by Rachmaninoff's Vocalise, in the version for violin, charmingly performed by the VSO's Associate Concertmaster Joan Blackman. When the short piece ended, Yumi and I simultaneously sighed and said we wanted more... Then came a few well-known selections from Grieg's Peer Gynt, and the concert wrapped up with Tchaikovsky's thunderous 1812 Overture.
In conclusion, being of Ukrainian descent, and noticing the preponderance of Slavic composers represented in the program, all I can say is: Slavs Rock! :-)


My wife and I always watch Japanese national television NHK's (English site here) year-end Kohaku men vs. women singing extravaganza. I believe this year was the 57th running, and some of the singers haven't missed a show -- just kidding :-). It's a tradition, and while the music ranges from insipid to (rarely) inspired, it's a way to catch up on the Japanese music scene, see who is in and who is out, and rate the songs while giggling, and occasionally, sniffling at the odd tear-jerker.
Kohaku has also become a lifeline to the "good old days" when we lived in Tokyo, and often watched the show live while visiting Yumi's parents in cold, snowy, northern Japan.
The younger pop stars are usually not very good, to be charitable -- most of them are mass-produced by mainstream Japanese music companies, and it shows. It's gotten to the point that I almost prefer the traditional, overblown, sappy enka singers, mainly because some of them have real pipes.
NHK, staid as it is, has gradually increased the amount of flesh allowed -- perhaps ratings have been declining. Skirts have been getting shorter, blouses more plunging, bras more pneumatic, and one song this year blew the audience away with apparently topless female dancers. A few songs later, an announcer came on to apologize after a rash of telephone complaints, explaining that they were not really naked, they were wearing costumes that made them look naked. OK, whatever, the result was the same :-).
Anyway, there was a real gem in the show this time around -- Angela Aki (also see Wikipedia). I'd never heard of her, but she blew us away with her flawless, pitch-perfect singing, her capable piano playing, and, as if it matters, her Nana Mouskouri looks. I've already ordered a CD, and have been checking out videos of her on YouTube.
I really have to get back to monitoring music more closely!
I bought at set of Logitech "Z-2300 Extreme THX®-certified 2.1 performance speakers" for my computer at Best Buy yesterday. They were on sale for C$99.99 from a list price of C$229.99, a deal I couldn't pass up.
I've spent the last couple of hours ripping dozens of CDs to my computer, listening to the huge improvement in sound quality as I do so. These speakers pump out 200 watts of RMS power, and are very crisp and clean compared to my muddy old GNT-5000 32 watt 2.1 speakers that cost about $45 new.
I hadn't been listening to music much on my computer, but that's going to change. The Z-2300s are a joy to listen to. The wired remote is also very handy, with a master volume, subwoofer volume, headphone jack, and power/standby switch. No more feeling around under the desk for knobs, switches and jacks!
Now I'm thinking about a Creative Sound Blaster X-FI sound card to augment the built-in sound on my Intel motherboard...
A cacophonous chorus of coughers crashed the Kodo concert in Vancouver last night.
A quiet, moving, wooden flute and vocal number in particular was assailed with a storm of hacking.
The occasional cough or sneeze is to be expected at a concert, but this was an ongoing barrage from numerous idiots throughout the hall.
Who were all those inconsiderate people who couldn't suppress a cough for a few minutes? Or if they were that sick, what were they doing attending a public event?
What has happened to courtesy and common sense?
The Kodo One Earth Tour 2005 blew into Vancouver last night with a powerful concert that garnered two standing ovations.
Kodo is a world-renowned Japanese drum group that is known for its athletic performances of mesmerizing percussion music. The group never fails to please, and appears to have loosened up somewhat from its earlier ascetic days.
The show incorporated a few new features including Kabuki elements and vocal numbers.
This is at least the fourth time I've seen Kodo in concert, and am always blown away. If you've never seen Kodo and have the chance, don't miss it!
The Vancouver Philharmonic Orchestra kicked off a new season tonight with a number of crowd pleasers, including an inspiring solo flute performance by Lorna McGee.
This dedicated group of amateurs has to be one of the lower mainland's best "bang for the buck" offerings of classical music. Highly recommended.
I received a couple of Chris Isaak CDs for my birthday from my wife Yumi the other day.
Speak of the Devil, and Always Got Tonight.
He has an infectious style. It's old, it's new, it's danceable. It's surf, it's rock, it's country, it's blues....
Yumi knows how much I enjoy the TV show, it's such a goofy mess of music and misadventure. That's how I first learned of the group, and it's been growing on me ever since.
I used to be such a music fanatic.... It's strange, and sometimes sad, how one's life changes. I buy perhaps four or five CDs a year now, when I used to buy several dozen LPs per year in my youth.
What have I been missing?
The Vancouver Philharmonic Orchestra ended its 40th anniversary season with a concert tonight that featured a wonderful performance by cellist Carina Reeves.
The programme began with Mozart's Symphony in C major, KV 425 "Linz." The orchestra performed it ably, however somehow this symphony didn't engage me.
The second half, however, was a feast. It began with Beethoven's "Coriolan" Overture, which was magnificent, and ended with Reeves performing the moving Concerto for Violincello and Orchestra in E minor, Op. 85 by Sir Edward Elgar.
I had not heard this piece before, and thoroughly enjoyed it. Reeves and the orchestra played with a controlled intensity that resulted in a deserved standing ovation.
We attended this Burnaby Symphony fundraising event last night at the Vancouver Hilton Metrotown, and were blown away by the amazing talent of the five young pianists and one violinist.
The kids ranged in age from 10 to 14 and displayed astounding mastery of their instruments. It boggles the mind to imagine how they will sound ten years from now as young adults.
Kudos to the event organizers, and the hotel for providing the facilities free of charge!
The Burnaby Symphony warmed us up tonight with a Schubert overture and Beethoven's Symphony No. 8 in the first half, followed by a magnificent Tchaikovsky Piano Concerto in Bb minor, opus 23, splendidly hammered out with great flair by pianist Nikolai Maloff.
As my mom said, "Sometimes you just need that Slavic soul." Amen.
Maloff's performance was intensely powerful, and his command of his instrument was immediately obvious. Not quite enough to stand the hairs up on one's neck, but I certainly felt a strong tingling :-).
On second thought, I suspect it was not Maloff's fault that I didn't get a full rise out of my neck hairs. He was playing with a budding symphony, many members of which were glued to his breathtaking prowess whenever they had a lull in the action.
It's too bad the Michael J. Fox Theatre was less than half full. The symphony is still young, and there are rumblings that it's facing financial problems if things don't improve.
It's a blossoming group with great potential and it would be a shame to see it go. C'mon Burnaby, let's support our local symphony!